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You did not need to do too much deep thinking (unlike Newsroom) to enjoy Thursday's (June 28) return of Wilfred on FX. Ryan (Elijah Wood) and his delinquent dog Wilfred (Jason Gann) are back for another series of adventures. While the show can be juvenile and simply gross at various points, it also has plenty of moments where it digs a little deeper into the human psyche (and still finds something juvenile and gross, of course).
For a sitcom, it can be pretty dark as it starts with Ryan's attempted suicide and his later delusions concerning Wilfred, but the constant pot smoking, awkward sexual moments (okay, some are with stuffed animals), and off-color humor bring it to a level not reached by other sitcoms. Wilfred is basically the bad angel sitting on Ryan's shoulder, though
he has a number of endearing qualities and useful insights that can set
Ryan right. And for some odd reason, mixing the talented Elijah "Frodo" Wood with the equally talented yet zany Australian Jason Gann really works (could it be Elijah's time down in New Zealand helped him work better with actors from that part of the world?).
I was not sure if Wilfred would return for another season since the rating for season one were so so, but that is the advantage of starting on FX where there are fewer shows to cancel. ABC would have probably pulled it after the first three episodes. Luckily, the network cowardice has not bled through to the smaller players.
You should watch the June 21st between season episode to catch up on the show. You will get to see Robin Williams playing Ryan's doctor as Ryan tries to come to grips with his life and the role of Wilfred.
I was a fan of CBS' Jericho when it first broadcast back in 2006 and, like other fans, hoped it would last for more than two seasons. Set in Jericho, Kansas, the story followed a small town in the midst of multiple unexplained nuclear explosions in various U.S. cities leading to the collapse of the country as we know it. Starring Skeet Ulrich as Jake Green and Gerald McRaney has his dad, Johnston Green, it told the story primarily from the Green family's point of view while also expanding into many other tales. As with TNT's Falling Skies, it was a solid drama about an American family trying to save a ruined country by rallying civilians and recalling the best days of the former selves.
Well, I have been reading for awhile that Netflix has considered restarting this series and I, of course, want to add my two cents. I think its a great idea in theory, but you will need to get the same cast back if it is to work. And doing this four years later may not be all that easy, though I cannot recall any of the former cast going onto greatness that would prevent such a reunion. And since the second season dug much deeper into the new country rising from the ruins (the Allied States of America - see the flag below, the Republic of Texas, and the Eastern United States, at a minimum), the writers may need to move the story even deeper into the future to account for aging actors, as well as the possibilities of a few missing actors. Another approach would be a prequel to set up the country's fall, but this would only be filler for most fans since we already know enough about the fall and want to learn more about the recovery.
Netflix has already resurrected Arrested Development, as well as creating its own programs (House of Cards and Lilyhammer), so it has the ability to make it happen. The question now is whether it has the continuing fan base. Things did not work out so well for Terra Nova and Netflix, though I saw less merit in bringing back the time-traveling dinosaur series.
A third season of Jericho was published in book and comic book form. Whether or not they become the basis for a new series is unclear, but you can get your Jericho fix satisfied for the moment while you await more news of the series. And for more on the past Jericho episodes, visit TV.com. You can also see past episodes on Netflix.
Note: Here is a teaser from Wikipedia on the first comic book for the third season:
The story begins at Lackland Air Force Base, San Antonio, Texas,
ten months after The Bombs.
Hawkins attends a meeting of Texan leaders
at the base, and learns that the bomb got the Governor's attention, with
the intended result: Texas will help Columbus with fuel, weapons and
manpower.
Hawkins remarks that Cheyenne is likely to storm the Mississippi as
soon as the United Nations buffer force withdraws. Clark, representing
Columbus, admits that because of the Hudson River Virus the USA is not
ready for that; even with Texan support they cannot match Cheyenne for
numbers or organization. If it comes to war, Cheyenne's opponents will
need some "kind of X-factor" that Cheyenne won't see coming, and Clark
doesn't know what that is.
Hawkins receives a call for help from the terrorist "John Smith", who is now imprisoned by Cheyenne.
Lackland is then attacked by an air-raid from Cheyenne. Clark and
other leaders are killed; and Hawkins and Green narrowly escape.
President Tomarchio, Thomas Valente
and other heads of the ASA receive a report on the air raid. Lackland
Air Force Base and the East Texas Oil Fields are immobilized. Strategic
sites within San Antonio were also destroyed. Civilian casualty rates
will be high, but acceptable. Their fighters saw no resistance. By all
accounts, the ASA's attack took Texas completely off-guard. President
Tomarchio will contact Columbus shortly with an offer of surrender; with
any luck, the USA will accept, in which case the ASA saved lives today.
The meeting ends.
Major Edward Beck was also watching this from the Sheriff's Office in
Jericho. The ASA military are still based in Jericho, and (for unknown
reasons) Beck and his troops are once again wearing the A.S. Army
insignia, and Beck himself appears to still be in command. Beck now
receives word that Green and Hawkins are alive in Texas, which he
secretly relays to the Jericho underground resistance.
Hawkins and Green now head for New Mexico – ASA territory – to begin a
campaign to free "Smith", who helped build the ASA's information
infrastructure and thus knows its weaknesses.
Tonight (June 28) on FX the third season of Louie begins. I have been eagerly awaiting the return of the series since Louis C.K. puts everything in perspective. Yes, a very weird perspective, but perspective nonetheless. I am glad he has been very busy on the comedy circuit, and I too downloaded one of his road shows from his personal website (to hell with Ticketmaster and the other middlemen), but what I really looked forward to was his 30 minutes of situational comedy with his two girls.
Maureen Ryan gets it right in the Huffington Post when she states Louie is "
One man's quest to hang on to his
optimism and his curiosity and even his joy, whatever indignities life
throws at him."
John Powers on NPR also captures the essence of Louie's uniqueness with the following:
...Louie is ultimately in pursuit of big game — the flow of life
in its dizzying elusiveness. More than any TV comedy ever, it's all
about capturing moments of truth and freshness, be it the pleasures of
bantering with your kids, a misinterpreted gesture of friendship toward
someone you meet on the road, or the sudden recognition of the deep
sadness burning within someone you've been finding utterly delightful.
I like the unpredictable nature of the show where one moment you have a huge belly laugh and the next you are uncomfortable in your own skin. The whipsawing keeps you interested and curious for more. And Louis C.K. does not come across as a polished anything. He is truly a regular guy still fascinated with the workings of the world.
Here is Louis C.K. writing on his website last December after successfully selling a comedy download via his website:
So it's been about 12 days since the thing started and yesterday we
hit the crazy number. One million dollars. That's a lot of money. Really
too much money. I've never had a million dollars all of a sudden. and
since we're all sharing this experience and since it's really your
money, I wanted to let you know what I'm doing with it. People are
paying attention to what's going on with this thing. So I guess I want
to set an example of what you can do if you all of a sudden have a
million dollars that people just gave to you directly because you told
jokes.
So I'm breaking the million into four pieces.
The first 250k is going to pay back what the special cost to produce and the website to build.
The second 250k is going back to my staff and the people who work for
me on the special and on my show. I'm giving them a big fat bonus.
The third 280k is going to a few different charities. They are listed
below in case you'd like to donate to them also. Some of these i learned
about through friends, some were recommended through twitter.
That leaves me with 220k for myself. Some of that will pay my rent and
will care for my children. The rest I will do terrible, horrible things
with and none of that is any of your business. In any case, to me, 220k
is enough out of a million.
I never viewed money as being "my money" I always saw it as "The money"
It's a resource. if it pools up around me then it needs to be flushed
back out into the system.
After giving most of it away, he is using the rest to pay the rent and take care of the kids. Not to buy a huge house in California. He is the real deal, while also being very, very funny.
Update: After watching the first two episodes it is clear Louie will encompass more of the weird and unusual. His blind date "sexual encounter" in the second episode left me shocked and confused. So far we are not seeing a combative Louis C.K. facing the women in his life. Instead, he is being blown around and taking cover until it (or she) passes. The only two women in his life right now offering any stability are his daughters. If this season continues like this, he will certainly need their sanity and humor to make it through.
Poor Justin. He had no idea what he was getting into when appearing on David Letterman. The clip speaks for itself. I am not sure if American high schools would have served him any better. So much for unscripted programs.
It is hard to find any good press related to HBO's Newsroom, which starts tonight (June 24). Here is how HBO is selling its new story:
From the mind of Aaron Sorkin, creator of The West Wing and screenwriter of The Social Network and Moneyball, comes The Newsroom, a behind-the-scenes look at the people who make a nightly cable-news program. Focusing on a network anchor (played by Jeff Daniels), his new executive producer (Emily Mortimer), the newsroom staff (John Gallagher, Jr., Alison Pill, Thomas Sadoski, Olivia Munn, Dev Patel) and their boss (Sam Waterston), the series tracks their quixotic mission to do the news well in the face of corporate and commercial obstacles-not to mention their own personal entanglements.
And here is Emily Nussbaum in The New Yorker:
Sorkin’s shows are the type that people who never watch TV are always
claiming are better than anything else on TV. The shows’ air of defiant
intellectual superiority is rarely backed up by what’s inside—all those
Wagnerian rants, fingers poked in chests, palms slammed on desks, and so
on. In fact, “The Newsroom” treats the audience as though we were
extremely stupid. Characters describe events we’ve just witnessed. When a
cast member gets a shtick (like an obsession with Bigfoot), he delivers
it over and over. In episode four, there’s a flashback to episode
three. In a recent interview, Sorkin spoke patronizingly of cop shows,
but his Socratic flirtations are frequently just as formulaic, right
down to the magical “Ask twice!” technique.
I was a fan of the fast-paced West Wing, but also suffered through a few episodes of Studio 60 on the Sunset Strip, so I know Mr. Sorkin can produce high quality drama and plain dreck. I also look forward to a TV version of the 1976 movie Network, and maybe Jeff Daniels can pull it off. Here is a clip showing Daniels starting it all that provides some sense of the passion to follow. My only concern is that, unlike West Wing, Newsroom will only be revisiting old headlines so he can provide a more politically correct pin. Hence, instead of heady case studies, we will get criticism of past media coverage. Looking back is often dangerous since it is 20/20 and can get very preachy. I wish HBO success with this series because I have little confidence in most of today's media. We need to move away from partisan networks to solid reporting. I just wish the leaders on this campaign were the real media players. Last I checked, HBO did not do the nightly news. Now there's an idea!
Tonight (June 17) you can catch the start of TNT's Falling Skies second season premiere. This two-hour episode will resolve last seasons cliff-hanger when history professor Tom Mason (Noah Wyle) goes aboard the alien ship. Last season was a riveting tale of a rag-tag group of civilians, military-types, and criminals trying to reclaim their small part of New England after the Earth had been occupied by an alien race that so far seems bent on using child labor. No this is not a Chinese occupation with children making Apple parts. But the intent of this extraterrestrial alien race is still unclear.
Tom Mason and his three sons form the center (and heart) of the resistance group, though the suffering Captain Weaver (Will Patton), potential girlfriend pediatrician Anne Glass (Moon Bloodgood), and criminal mastermind John Pope (Colin Cunningham) all add to the drama and fun. Of course, the enemy also has a pretty good cast, including the spider-like Skitters, armored robot Mechs, and the recently introduced Overlords.
TNT and Steven Spielberg have created an entertaining adventure that keeps you at the edge of your seat as you await the next alien attack. As I have noted earlier, the story itself brings to mind War of the Worlds combined with the scrappy resistance of townsfolk seen in TV's Jericho. I do not think Wyle's talents have always been well used over the years, but here he finds a solid and believable role as a concerned father and geeky professor forced to do things he would not normally want to do (a bit like his role in the The Librarian series, which was actually pretty fun as well).
Comingsoon.net interviewed Wyle on his acting choices. What is interesting is that he went back to ER rather than The Librarian:
Comingsoon.net: This is a very different character that what you've played in the past. Was that a big draw for taking the role?
Wyle: Sure, that's a big part of picking and choosing work, assuming
you get to pick and choose work. More often than not, it's less of a
grand design and more about the opportunities that are presented to you.
But I was looking to do a character that was very different from Dr.
John Carter, but still looking to find one that had as vast an arc ahead
of him as that one did. The pilot episode of "E.R." was his first day
on the job in the hospital, so he had the longest road to travel
professionally. Similarly, Tom Mason, as an academic character, had the
farthest road to travel to become a military leader. That seemed like an
interesting challenge, plus it's a physically demanding and dynamic
character, which I hadn't really done a lot of. It's also a totally new
genre as well.
And should you want to learn more about tonight's program, you can watch Wil Wheaton's interview with the cast following the episode.
Update: Good news! Falling Skies has been renewed for a third season, according to Deadline. That gives the 2nd Mass a fighting chance.
If you haven't seen it yet, you will. AT&T has been blanketing the television and print media with ads for its new series Daybreak. I cannot remember the last time I saw a corporate sponsor actually place its own program on the Internet. The story is about the son of a dead theoretical physicist who left behind the secrets of his work. And, surprisingly, everyone now wants to use that work to their own ends. Created by Tim Kring, who also created Fox's Touch, the production values of the short episodes are pretty good (the first episode is about 9 minutes). In fact, the storyline is related to Touch. Needless to say, but I will say it anyway, the show also highlights AT&T products and services. Three of the five episodes are already available, with the last airing (or streaming) on June 28th. Is this a new wave of programming and product tie-ins? Time will tell.
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